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In recognition of her theatre debut, Knightley was nominated for the Laurence Olivier Award for Best Actress in a Supporting Role and an evening Standard Award. The critic Richard Roeper, who thought the lead duo were “superb” of their respective roles, was puzzled by their failure to obtain Academy Award nominations. The next yr, she was nominated for a British Independent Film Award for Best Actress. The inexperienced dress worn by Knightley during the movie’s climactic scene garnered substantive press consideration, and was subsequently regarded as one in every of the best costumes in film history. The film’s release was delayed on several events and, on its eventual launch in November, it obtained unfavourable evaluations and carried out poorly on the box office. Gabrielle Tana, the film’s producer, stated Knightley “introduced an instinctive understanding” of such features of Georgiana’s life as a celebrity from her personal experiences. The movie tells the story of Georgiana’s rise in society as a sociopolitical tastemaker after her marriage disintegrates. Time journal’s article, which acknowledged that she seemed dedicated to develop herself as a severe actor moderately than a film star. A movie adaptation of William Shakespeare’s tragedy King Lear set to star Knightley and Anthony Hopkins was cancelled due to recession.

Starring Knightley, Damian Lewis, Tara Fitzgerald, and Dominic Rowan, the play was staged at the Comedy Theatre in December 2009. She portrayed Jennifer, a shallow, amorous, and susceptible American film star who’s courted by an analytical and veracious playwright. Knightley made her West End debut with Martin Crimp’s model of Molière’s comedy The Misanthrope. Knightley wrote the script with her mother, Sharman Macdonald, with Macnamara in mind. Knightley’s efficiency and singing abilities were praised;The Independent famous that Knightley “offers Vera an independence and complexity that’s aeons forward”, while the Los Angeles Times wrote “the film belongs to the ladies, with Knightley going from strength to energy (and showing she will be able to sing!)”. She primarily based her performance on Marlene Dietrich, and was to mime to her prerecorded voice, earlier than being informed by Maybury to sing dwell. Knightley chose the position as she felt that “if I do not do theatre proper now, I feel I’m going to start out being too terrified to do it” and described the production as an “extraordinary and incredibly fulfilling” expertise, she was sceptical of her performance. Knightley was interested in her character’s strength and standing as a political influence and trend prowess, whereas being inwardly weak and remoted.

In Britain, a camp sensibility lay behind the successful Carry On movies, while in America subversive independent film-maker John Waters made camp films for college audiences with his drag queen friends that finally found a mainstream viewers. Writing for The Guardian, Peter Bradshaw labelled her performance of “magnificence, delicacy, spirit and wit; in her growing lustre and confidence” and Derek Elley of Variety discovered her “luminous energy” to be harking back to a younger Audrey Hepburn. Knightley earned “Best Actress in a leading Role” nominations at the Golden Globes and the Academy Awards for her efficiency at age 20, becoming the third-youngest nominee for the latter. A. O Scott termed her performance “a vision of imperial British pluckiness, with an intriguing dash of romantic recklessness that surfaces toward the end”. After Knightley signed on, her character’s position was increased with the movie focusing on her romance with a British soldier. Knightley’s continued association with interval dramas yielded various outcomes, as seen with two of her 2007 releases, François Girard’s Silk, and Joe Wright’s Atonement, the characteristic movie adaptations of the novels by Alessandro Baricco and Ian McEwan respectively. Knightley’s other launch, Never Let Me Go, an adaptation of Kazuo Ishiguro’s novel of the same name fared better on the box office and obtained constructive evaluations.

On launch, the movie became an enormous industrial success, with total collections of round US$one hundred twenty million worldwide, and acquired constructive opinions from critics. Filming for the projects took place in 2005; Pirates of the Caribbean: Dead Man’s Chest launched in July 2006, with the worldwide collections of $1.066 billion, changing into the most important monetary hit of Knightley’s profession. Two of the productions, Massy Tadjedin’s romantic drama Last Night and William Monahan’s crime noir movie London Boulevard opened to mixed responses from critics and rank amongst the bottom-grossing films in Knightley’s career. Knightley then starred because the 18th-century English aristocrat Georgiana Cavendish, Duchess of Devonshire in Saul Dibb’s interval drama The Duchess (2008), primarily based on the most effective-promoting biographical novel, Georgiana, Duchess of Devonshire by Amanda Foreman. Knightley appeared alongside Sienna Miller, Cillian Murphy, and Matthew Rhys in John Maybury’s 2008 wartime drama The edge of Love. Knightley’s most profitable release of the 12 months was Pride & Prejudice, a interval drama based mostly on Jane Austen’s novel Pride and Prejudice. Knightley’s consecutive successes came with increased media scrutiny, and she later admitted to experiencing struggles along with her psychological well being during this period. I was at a occasion in high school when sex came up once more, the occasion the place I bought drunk for the first time.